Assembling highly creative and efficient casts & crews worldwide. A finesse for cultivating excellence and a fortitude for getting things done within the budget.
A keen eye with a special focus on hand held, cinéma vérité cinematography.
A unique perspective of the World driven by a passion for telling people’s stories. Bringing that vision to the director’s chair whether it be first or second unit work.
I have work experience in Europe, Africa, the Middle East & America. I have many contacts throughout these regions and “the know how” to get things done!
I can deliver raw footage or a full editing package, including colour grading and titling. Whatever your needs may be, I’ll prepare and deliver footage to a high standard.
I travel light and work fast. I can be on location very quickly. I prefer intimate shoots. I am committed to doing whatever needs to be done to create the best results.
I like the idea of the documentary as a portrait. There's not a chronological beginning, middle, and end structure. You build something in the editing room that's shaped by getting to know the person and digging deeper, unpeeling the layers of them as you get to know them.
No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.
Thinking is easy, acting is difficult, and to put one's thoughts into action is the most difficult thing in the world.
Film is incredibly democratic and accessible, it’s probably the best option if you actually want to change the world, not just re-decorate it.
I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.